In search of Próspero: Pedro Henríquez Ureña interprets Ariel
DOI:
https://doi.org/10.24201/nrfh.v71i2.3873Keywords:
Luis Cernuda, Octavio Paz, surrealism, prose poem and vision of love, mutual influenceAbstract
This paper compares and contrasts the notion of surrealism defended by Octavio Paz and Luis Cernuda during the 1950’s; it examines the interest shared by both in the surrealist prose poem; it analyses the vision of love expressed by both poets in their surrealist poetry; and also points to the mutual influence that characterized the dialogue between the two poets at that time.
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Nueva Revista de Filología Hispánica (1947-), volume 66, 2, July-December 2018, is a semi-annual publication edited by El Colegio de México, Carretera Picacho Ajusco 20, Ampliación Fuentes del Pedregal, Tlalpan, C.P. 14110, Mexico City, Mexico, Tel. (55) 5449-3000, http://nrfh.colmex.mx/index.php/NRFH, nrfh@colmex.mx. Editor: Pedro Martín Butragueño. Assistant editors: Alejandro Rivas and Jesus Jorge Valenzuela. All Rights Reserved: 04-2015-070112341900-203, ISSN (print): 0185-0121, ISSN (electronic): 2448-6558, as registered with the National Copyright Institute. Typographical composition: El Atril Tipográfico. Person in charge of updating this issue: Perla Reyna Muñoz; date of last update: June 26, 2018.
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