Abstract
In Tiempo de silencio (1962), Luis Martín Santos parodies discourse employedby the writers of the Generation of 98 when referring to “el mal de España”.Martín Santos reflects on national identity and on the specific circumstancesof post-Civil War Spain, while highlighting the essentialism, fatalism,and contradictions of the “noventayochistas”. Irony becomes Martín Santos’sweapon of choice by presenting Pedro as the parodic embodiment of the“iron surgeon”, the superior, providential man who was supposed to “rebuild”the homeland, but who instead ends up failing and immersed inthe most absolute nihilism.Nueva Revista de Filología Hispánica (1947-), volume 66, 2, July-December 2018, is a semi-annual publication edited by El Colegio de México, Carretera Picacho Ajusco 20, Ampliación Fuentes del Pedregal, Tlalpan, C.P. 14110, Mexico City, Mexico, Tel. (55) 5449-3000, http://nrfh.colmex.mx/index.php/NRFH, nrfh@colmex.mx. Editor: Pedro Martín Butragueño. Assistant editors: Alejandro Rivas and Jesus Jorge Valenzuela. All Rights Reserved: 04-2015-070112341900-203, ISSN (print): 0185-0121, ISSN (electronic): 2448-6558, as registered with the National Copyright Institute. Typographical composition: El Atril Tipográfico. Person in charge of updating this issue: Perla Reyna Muñoz; date of last update: June 26, 2018.
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