"Preñada estaba la encina": de los nuevos nacimientos simbólicos sin madre a la inesperada armonía paterno-filial en "Los trabajos de Persiles y Sigismunda"

Authors

  • Sylma García González Universidad de Puerto Rico

DOI:

https://doi.org/10.24201/nrfh.v61i2.1103

Keywords:

Cervantes, Los trabajos de Persiles y Sigismunda, Spanish Golden Age literatura, Spanish narrative, literary characters

Abstract

This article centers on the analysis of the configuration and developmentof the paternal and maternal characters in Los trabajos de Persilesy Sigismunda, a novel written by Spanish author Miguel de Cervantes.These characters are anything but one-dimensional and while being aclear representation of the social and religious views of the time --particularlythe honor code--, some of the paternal Cervantine characterspossess certain traits that make them unique within the Spanish literatureof the Golden Age. They are complex characters; in fact, someeven face profound personality evolutions.

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Published

2013-07-01

How to Cite

García González, S. (2013). "Preñada estaba la encina": de los nuevos nacimientos simbólicos sin madre a la inesperada armonía paterno-filial en "Los trabajos de Persiles y Sigismunda". Nueva Revista De Filología Hispánica (NRFH), 61(2), 475–494. https://doi.org/10.24201/nrfh.v61i2.1103
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Issue

Vol. 61 No. 2 (2013)

Section

Articles

License

Nueva Revista de Filología Hispánica (1947-), volume 66, 2, July-December 2018, is a semi-annual publication edited by El Colegio de México, Carretera Picacho Ajusco 20, Ampliación Fuentes del Pedregal, Tlalpan, C.P. 14110, Mexico City, Mexico, Tel. (55) 5449-3000, http://nrfh.colmex.mx/index.php/NRFH, nrfh@colmex.mx. Editor: Pedro Martín Butragueño. Assistant editors: Alejandro Rivas and Jesus Jorge Valenzuela. All Rights Reserved: 04-2015-070112341900-203, ISSN (print): 0185-0121, ISSN (electronic): 2448-6558, as registered with the National Copyright Institute. Typographical composition: El Atril Tipográfico. Person in charge of updating this issue: Perla Reyna Muñoz; date of last update: June 26, 2018.

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