Abstract
When Garcilaso de la Vega wrote his dedication for his first Égloga (“El dulce lamentar…”), he not only copied from Virgil’s eighth Bucolic but also from Sannazaro’s fifth Ecloga Piscatoria. This paper aims to show how important this second model became for Garcilaso’s followers.Garcilaso’s “triadic pattern” makes the hunting motive, already present in Sannazaro but not in Virgil, more prominent an element. It is central both in the dedication of Gongora’s first Soledad and in that of his Polifemo –which highlights how much the poet of Córdobais indebted to Sannazaro’s Neapolitan model of piscatory eclogue.Nueva Revista de Filología Hispánica (1947-), volume 66, 2, July-December 2018, is a semi-annual publication edited by El Colegio de México, Carretera Picacho Ajusco 20, Ampliación Fuentes del Pedregal, Tlalpan, C.P. 14110, Mexico City, Mexico, Tel. (55) 5449-3000, http://nrfh.colmex.mx/index.php/NRFH, nrfh@colmex.mx. Editor: Pedro Martín Butragueño. Assistant editors: Alejandro Rivas and Jesus Jorge Valenzuela. All Rights Reserved: 04-2015-070112341900-203, ISSN (print): 0185-0121, ISSN (electronic): 2448-6558, as registered with the National Copyright Institute. Typographical composition: El Atril Tipográfico. Person in charge of updating this issue: Perla Reyna Muñoz; date of last update: June 26, 2018.
The content of the articles published is the responsibility of the author, and does not represent the point of view of Nueva Revista de Filología Hispánica. The partial or total reproduction of the contents or images of the publication is authorized, including electronic storage, provided it is strictly for academic purposes and not for profit, and that the source is cited without altering the content, and authorial credits are given.