Abstract
This work analyzes some cults stylistic devices in religious productionby Juan Espinosa Medrano (Viceroyalty of Peru, 17th century), whosework, in order to seduce audiences demanding and “groomed”, boastingof wit and scholarship, constitutes a representative sample of colonialbaroque prose. This is a review of the role of sacred oratory incolonial society that allows to understand the sermons of this authoras a search space of self-legitimation and recognition, considering thatEspinosa Medrano was part of the literate humanist elite.Nueva Revista de Filología Hispánica (1947-), volume 66, 2, July-December 2018, is a semi-annual publication edited by El Colegio de México, Carretera Picacho Ajusco 20, Ampliación Fuentes del Pedregal, Tlalpan, C.P. 14110, Mexico City, Mexico, Tel. (55) 5449-3000, http://nrfh.colmex.mx/index.php/NRFH, nrfh@colmex.mx. Editor: Pedro Martín Butragueño. Assistant editors: Alejandro Rivas and Jesus Jorge Valenzuela. All Rights Reserved: 04-2015-070112341900-203, ISSN (print): 0185-0121, ISSN (electronic): 2448-6558, as registered with the National Copyright Institute. Typographical composition: El Atril Tipográfico. Person in charge of updating this issue: Perla Reyna Muñoz; date of last update: June 26, 2018.
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