Abstract
In his first poetic collection, meets Jorge Luis Borges poems of different periods, so it is far from uniform: it is not a book dedicated exclusively to the eponymous city, as the title suggests, rather, may identify topics that correspond to various poetic styles: for example, the theme of love often corresponds with the epistolary style, the theme of the evening with the descriptive style, and philosophical with baroque. Specifically, in this paper I analyze the baroque philosophical poems of Fervor, the “martingalas literarias” or “tecniquerías” that the young Borges, simultaneously he censors in other authors, practices in his own work.Nueva Revista de Filología Hispánica (1947-), volume 66, 2, July-December 2018, is a semi-annual publication edited by El Colegio de México, Carretera Picacho Ajusco 20, Ampliación Fuentes del Pedregal, Tlalpan, C.P. 14110, Mexico City, Mexico, Tel. (55) 5449-3000, http://nrfh.colmex.mx/index.php/NRFH, nrfh@colmex.mx. Editor: Pedro Martín Butragueño. Assistant editors: Alejandro Rivas and Jesus Jorge Valenzuela. All Rights Reserved: 04-2015-070112341900-203, ISSN (print): 0185-0121, ISSN (electronic): 2448-6558, as registered with the National Copyright Institute. Typographical composition: El Atril Tipográfico. Person in charge of updating this issue: Perla Reyna Muñoz; date of last update: June 26, 2018.
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