Abstract
The idea of the miseria/dignitas hominis has classical and biblical roots, wasdeveloped by the Fathers of the Church, and reached its climax in the MiddleAges and the Renaissance. This idea is one the main issues of Gracián’s El Criticón,which emphasized secular values like fame over the religious ones. Thisarticle, divided in two sections, outlines a brief history of the miseria/dignitashominis and examines its development in the novel.Nueva Revista de Filología Hispánica (1947-), volume 66, 2, July-December 2018, is a semi-annual publication edited by El Colegio de México, Carretera Picacho Ajusco 20, Ampliación Fuentes del Pedregal, Tlalpan, C.P. 14110, Mexico City, Mexico, Tel. (55) 5449-3000, http://nrfh.colmex.mx/index.php/NRFH, nrfh@colmex.mx. Editor: Pedro Martín Butragueño. Assistant editors: Alejandro Rivas and Jesus Jorge Valenzuela. All Rights Reserved: 04-2015-070112341900-203, ISSN (print): 0185-0121, ISSN (electronic): 2448-6558, as registered with the National Copyright Institute. Typographical composition: El Atril Tipográfico. Person in charge of updating this issue: Perla Reyna Muñoz; date of last update: June 26, 2018.
The content of the articles published is the responsibility of the author, and does not represent the point of view of Nueva Revista de Filología Hispánica. The partial or total reproduction of the contents or images of the publication is authorized, including electronic storage, provided it is strictly for academic purposes and not for profit, and that the source is cited without altering the content, and authorial credits are given.