“El canon parnasiano de la poesía modernista mexicana”
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Keywords

hispanic modernism
fin de siècle
poetry
parnassianism
symbolism

How to Cite

Feria, M. Ángel. (2016). “El canon parnasiano de la poesía modernista mexicana”. Nueva Revista De Filología Hispánica (NRFH), 64(2), 457–494. https://doi.org/10.24201/nrfh.v64i2.2573

Abstract

Fecha de recepción: 16 de marzo de 2015.

Fecha de aceptación: 8 de diciembre de 2015.

 

In Mexico, the transition from romanticism to Hispanic Modernism was fostered by a notable interest in French Parnassianism, a movement which was given ample publicity by Mexican critics and translators in newspapers and magazines. Gradually, a Parnassian canon was established, which was dominant until around 1898, the year in which the important magazine Revista Moderna was published. There, Parnassianism coexisted with more original tendencies, like decandentism and Symbolism. From then on a new canon oriented the plans of modernity, and Parnassianism began to be written off as simple rhetoric, something more typical of the 19th than the 20th century. 

https://doi.org/10.24201/nrfh.v64i2.2573
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Nueva Revista de Filología Hispánica (1947-), volume 66, 2, July-December 2018, is a semi-annual publication edited by El Colegio de México, Carretera Picacho Ajusco 20, Ampliación Fuentes del Pedregal, Tlalpan, C.P. 14110, Mexico City, Mexico, Tel. (55) 5449-3000, http://nrfh.colmex.mx/index.php/NRFH, nrfh@colmex.mx. Editor: Pedro Martín Butragueño. Assistant editors: Alejandro Rivas and Jesus Jorge Valenzuela. All Rights Reserved: 04-2015-070112341900-203, ISSN (print): 0185-0121, ISSN (electronic): 2448-6558, as registered with the National Copyright Institute. Typographical composition: El Atril Tipográfico. Person in charge of updating this issue: Perla Reyna Muñoz; date of last update: June 26, 2018.

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