Abstract
Without discarding altogether readings taht emphasize the moralizing aspects of the work, in this article I intend to explore the plausibility of privileging pleasure, rather than morality, as the principal purpose of the Tragicomedia. To do so, I turn to the ambiguous texts of naturalist erotology, according to which love is a natural and ineluctable force that always cancels out reason, being itself a source of great delight. A careful reading of these related texts obliges us to relativize any reading of Celestina.
Nueva Revista de Filología Hispánica (1947-), volume 66, 2, July-December 2018, is a semi-annual publication edited by El Colegio de México, Carretera Picacho Ajusco 20, Ampliación Fuentes del Pedregal, Tlalpan, C.P. 14110, Mexico City, Mexico, Tel. (55) 5449-3000, http://nrfh.colmex.mx/index.php/NRFH, nrfh@colmex.mx. Editor: Pedro Martín Butragueño. Assistant editors: Alejandro Rivas and Jesus Jorge Valenzuela. All Rights Reserved: 04-2015-070112341900-203, ISSN (print): 0185-0121, ISSN (electronic): 2448-6558, as registered with the National Copyright Institute. Typographical composition: El Atril Tipográfico. Person in charge of updating this issue: Perla Reyna Muñoz; date of last update: June 26, 2018.
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