Abstract
Throughout the eighteenth century, the Bourbon monarchs devoted numerous efforts to consolidating their rather exalted concep-tion of the King and the Monarchy with the aim of putting the decrepit legacy of the last Austrias far behind them. To this end, the new Royal House of Spain focussed its attention on Greco-Roman Antiquity and on one of its supreme representatives, Alexander the Great, a regal prototype with whom the Bourbons felt fully identified. In this work we analyze the way in which this identification was exploited in the theatre, a form of artistic expression which the political powers had always used as a tool for propaganda.
Nueva Revista de Filología Hispánica (1947-), volume 66, 2, July-December 2018, is a semi-annual publication edited by El Colegio de México, Carretera Picacho Ajusco 20, Ampliación Fuentes del Pedregal, Tlalpan, C.P. 14110, Mexico City, Mexico, Tel. (55) 5449-3000, http://nrfh.colmex.mx/index.php/NRFH, nrfh@colmex.mx. Editor: Pedro Martín Butragueño. Assistant editors: Alejandro Rivas and Jesus Jorge Valenzuela. All Rights Reserved: 04-2015-070112341900-203, ISSN (print): 0185-0121, ISSN (electronic): 2448-6558, as registered with the National Copyright Institute. Typographical composition: El Atril Tipográfico. Person in charge of updating this issue: Perla Reyna Muñoz; date of last update: June 26, 2018.
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