Abstract
Since a medieval codex is, among other things, a cultural, material object, this paper argues that the handwriting in the document ─given the primacy of vision over the other bodily senses─ has a predominantly visual significance. Based on this premise, the paper offers a study of the visual and textual aspects of manuscript K-III-4 of the Libro de los tres reyes de Oriente, and presents it as an excellent example of the material aspects of medieval devotion and of its concrete and symbolic relevance.

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Copyright (c) 2023 Nueva Revista de Filología Hispánica (NRFH)
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