Abstract
The paper examines the short story “No perdura” by José Emilio Pacheco (1939-2014), focusing on the way in which it dismantles the concept of “limit”, by transgressing the frontiers between time and space. The paper tackles in particular the deconstruction of cinematographic language through literary language, the interplay of shifting points of views, and the dynamics of knowledge relating to the power of gaze. Pacheco’s tale is subjected to a symbolic interpretation, which reveals a rupture with a monolithic conceptualization of “reality” and “subject” as well as a model of conflict which renders very idea of representation problematic.Nueva Revista de Filología Hispánica (1947-), volume 66, 2, July-December 2018, is a semi-annual publication edited by El Colegio de México, Carretera Picacho Ajusco 20, Ampliación Fuentes del Pedregal, Tlalpan, C.P. 14110, Mexico City, Mexico, Tel. (55) 5449-3000, http://nrfh.colmex.mx/index.php/NRFH, nrfh@colmex.mx. Editor: Pedro Martín Butragueño. Assistant editors: Alejandro Rivas and Jesus Jorge Valenzuela. All Rights Reserved: 04-2015-070112341900-203, ISSN (print): 0185-0121, ISSN (electronic): 2448-6558, as registered with the National Copyright Institute. Typographical composition: El Atril Tipográfico. Person in charge of updating this issue: Perla Reyna Muñoz; date of last update: June 26, 2018.
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